Respecting the rich history and diversity of location of the entire Kalemegdan, as the main actor of happenings has imposed itself a "walker", as an individual and as a link between architecture and history, past and present.

The installation set on the terraces of the "Zindan Gate" consists of three objects (an armchair, a two-seater settee and an ottoman), each on one of the terraces. The objects are reserved for contemplation, taking a break, socializing. Accentuation of a specific place requires transferring the walker’s attention to the place that has been perceived in one way up to now and which, with a small intervention, offered the idea for new methods of usage and perceiving.

There is great importance in energy that the walker uses for getting aware of the familiar place, of accepting it as an artistic intervention and, eventually, becoming a part of the set design himself/herself, by looking for the place and by defining it.

he seats are made of material appropriate for the place (stones) without disrupting or damaging them

Irena Kelečević

Born in 1975, in Croatia. Lives and works in Belgrade. She graduated in 2006 from the Faculty of Fine Arts in Belgrade. From 1999 to 2004 she was receiving a scholarship from the Republic’s Foundation for the Development of Scientific and Artistic Youth, and in 2000 she also received a scholarship from the Republic of Norway. In her work, she deals with the problems of space, limits of its (un)changeability, to be more precise, exploring of the relation between what defines it in terms of architecture or basic conception and different opinions and experiences connected with it. Recent independent and group exhibitions include: "Free Space", Remont Gallery (2007), and "Spaces of different opinions", Gallery "Zvono" ("Bell" Gallery) (2006), "Chronotopes", 9th Bienal de Cuenca, Ecuador (2007), "Logično" (Logical) Belgrade Summer Festival (2003) and "Pozitiv/Negativ" (Positive/Negative), 44th October Salon.