Nedelja / Sunday - 21. 7.2002.
21:00

Umetnički paviljon "Cvijeta Zuzorić" / The Art Pavillion "Cvijeta Zuzorić" - Mali Kalemegdan 1
 
   

TRIO ČIČOVAČKI - MILOSAVLJEVIĆ - MARJANOVIĆ (Holandija-Jugoslavija)
Borislav Čičovački, oboa
Pedja Milosavljević, violina
Gordana Marjanović, klavir


o članovima:
Gordana Marjanović (Beograd), diplomirala u klasi prof. Evgenija Timakina na Akademiji umetnosti u Novom Sadu, a magistrirala na Muzickoj akademiji u Zagrebu, kod prof. Jurice Muraija. Dobitnica je nagrada na medjunarodnim takmicenjima. Nastupala je kao solista sa domacim, ali i Simfonijskim orkestrom Radio Bremena (Nemacka). Koncertirala je širom Evrope. Posebno su znacajna njena izvodjenja muzike Ljubice Maric na koncertima u Amsterdamu, kao i snimanje kompakt diska za Emergo Classics Nederland. Angažovana je kao viši strucni saradnik na FMU u Beogradu.
Pedja Milosavljević (1969, Zrenjanin) diplomirao na Akademiji umetnosti u Novom Sadu. a poslediplomske studije je pohadjao u Holandiji, na roterdamskom i utrehtskom konzervatorijumu, u klasama Ilje Gruberta i Keiko Wataya. Kao solista nastupao je sa Kamernim orkestrom iz Bordoa (Francuska) i orkestrom Camerata academica
iz Novog Sada. Stalni je clan ansambla Tickmayer Formatio iz Orleana (Francuska) i Kamernog orkestra holandskog radija. Kao kamerni muzicar nastupao je u mnogim zemljama. Posebno se isticu njegova tumacenja kompozicija savremenog madjarskog
kompozitora Djerdja Kurtaga.
Borislav Čičovački (1966, Sombor), diplomirao je i magistrirao na Akademiji umetnosti u Novom Sadu, u klasi prof. Ljubiše Petruševskog. Usavršavanje je nastavio na Svelink Konzervatorijumu u Amsterdamu u klasi prof. Hana de Vrisa. Nastupao je kao solista sa mnogim znacajnim ansamblima. Stalni je clan ansambla Tickmayer Formatio iz Orleana. Kao kamerni muzicar koncertira širom Evrope. Medju autorima koji su za njega komponovali su: Dejan Despic, Vlastimir Trajkovic, Stevan Kovac Tikmajer i Aleksandra Vrebalov. Premijerno je izveo vise dela holandskih kompozitora. Jedan je od osnivaca i organizatora Fondacije "Barka" iz Amsterdama koja prezentuje jugoslovensku kulturu u Holandiji.

Program Trija Marjanović-Milosavljević-Čičovački inspirisan je specificnim odnosom zastupljenih kompozitora prema muzickom nasledju. Tako kompozicija japanskog kompozitora Šinohare odražava žestinu muzickog temperamenta Dalekog istoka. Bogata melodicnost ceškog folklora, koja je nadahnula celokupni opus Leoša Janaceka, prisutna je i u njegovoj Sonati za violinu i klavir, prožetoj prefinjenim lirizmom. Kompozicija Vlastimira Trajkovica priziva odjeke zvucnih "iskopina" centralnog Balkana. Suptilna melanholija ispunjava nostalgicnu Sarabandu Isidore Žebeljan, dok je njena trostavacna svita Tri kozja uveta blještavi omaž razigranosti vlaške muzike.

program:
Isidora Žebeljan: Sarabanda, za engleski rog, violinu i klavir (2001/2)
muzika iz pozorišne predstave "Prljave ruke" Ž. P. Sartra
Makoto Šinohara: Opsesija, za obou i klavir (1961)
Leoš Janacek: Sonata za violinu i klavir (1914/21)
Vlastimir Trajkovic: Testije i kondiri, pet muzickih gravura za engleski
rog i violu op.27 (2002)
Isidora Žebeljan: Tri kozja uveta, svita za obou, violinu i klavir (2002)
muzika iz pozorišne predstave "U cara Trojana kozje uši"
Lj. Ršumovica


 


TRIO ČIČOVAČKI - MILOSAVLJEVIĆ - MARJANOVIĆ (The Netherlands-Yugoslavia)
Borislav Čičovački, oboe and english horn
Pedja Milosavljević, violin
Gordana Marjanović, piano



about the members:
Gordana Marjanović (born in Belgrade) graduated from the Academy of Arts in Novi Sad, under the tutelage of Prof Evgenije Timakin and obtained MA at the Music Academy in Zagreb, under the tutelage of Prof Jurica Muraij.Miss Marjanović has won prizes at various international competitions. She has performed as a soloist with various domestic orchestras, with Symphony Orchestra of Radio Bremen (Germany). She has given concerts across Europe. Her performances of Ljubica Maric's music in Amsterdam are very important, as well as a CD recording for Emergo Classics Nederland. She is currently working as a senior associate at the Faculty of Music Art in Belgrade.
Pedja Milosavljević (1969, Zrenjanin) graduated from the Academy of Arts in Novi Sad. He was a postgraduate student of the Conservatories in Rotterdam and Utrecht (the Netherlands), under the tutelage of Prof Ilya Grubert and Prof Keiko Wataya. As a soloist he performed with the Bordeaux Chamber Orchestra (France) and Camerata Academica Orchestra from Novi Sad. He is a permanent member of Tickmayer Formatio Ensemble from Orleans (France) and of the Chamber Orchestra of the Dutch Radio. As a chamber musician he has performed in various European countries. The way he interprets compositions of contemporary composer George Kurtag from Hungary are especially distinguished.
Borislav Čičovački (Sombor, 1966) graduated from the Academy of Arts in Novi Sad, where he studied under the tutelage of Prof Ljubiša Petruševski. He continued his advanced studies at the Svelnik Conservatory in Amsterdam, under the tutelage of Prof Han de Vris. As a soloist, he has performed with numerous distinguished orchestras. He is a permanent member of Tickmayer Formation Ensemble from Orleans. As a chamber musician he has performed across Europe. The authors who composed for him are: Dejan Despic, Vlastimir Trajkovic, Stevan Kovac Tikmayer and Aleksandra Vrebalov. He has premiered numerous pieces of various Dutch composers. Borislav Čičovački is one of the founders and organizers of the "Barka" Foundation from Amsterdam that represents the Yugoslav culture in the Netherlands.

The program of Trio Marjanović - Milosavljević - Čičovački is inspired by a specific attitude of the composers towards music inheritance. In the case of a Japanese composer Shinohara, his composition reflects the intensity of the Far East musical temperament. Highly melodic Czech folklore, which inspired the whole opus of Leoš Janacek, appears in his Sonata for violin and piano as a sophisticated lyricism. Vlastimir Trajkovic's composition recalls sound "excavation" echoes from Central Balkan. Subtle melancholy fills up nostalgic Sarabanda of Isidora Žebeljan. Three movements suite Three goat ears of the same composer represents a brilliant homage to the Vlach music vivacity.

programme:
Isidora Žebeljan: Sarabanda, for English horn, violin and piano (2001/2)
Music from the theatre play "Dirty hands" by J. P. Sartre
Makoto Shinohara: Obsession, for oboe, violin and piano (1961)
Leos Janacek: Sonata for violin and piano (1914/21)
Vlastimir Trajkovic: Jugs and stoups, five music engravings for English horn and viola op. 27 (2002)
Isidora Žebeljan: Three goat ears, a suite for oboe, violin and piano (2002)
Music from the theatre play "Tsar Troyan has goat ears" by Lj. Ršumovic


 
       
       

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Osnivac i pokrovitelj BELEF 2002 / BELEF 2002 Founder and patron: Skupština grada Beograda / The Belgrade City Assembly
Organizator / Organizer: Kulturni centar Beograda / The Belgrade Cultural Centre
Beogradski letnji festival 2002 pomogli su / Belgrade Summer Festival 2002 has been supported by: MINISTARSTVO KULTURE REPUBLIKE SRBIJE / The Ministry of Culture of Republic Serbia, Savezno ministarstvo za inostrane poslove / The Federal Ministry for Foreign Affairs, Austrijski kulturni forum - Beograd , Pro Helvetia- Arts Council of Switzerland on behalf of SDC Swiss Agency for Development and Cooperation
Medijski sponzori / Media sponsors: RTV Studio B, TV B92, ART TV, RTV Politika, SOS kanal, Pink TV, BK TV, YU info, Program 202 Radio Beograda, Radio B 92, Radio INDEX, NIN, VREME, Danas, Glas Javnosti, Yellow Cab, Eunet, Omnia