o predstavi:
Cie.Willi Dorner izvodi dve tematski bliske koreografije u toku jednog nastupa. Koreografska poetika Vilija Dornera (Willi Dorner) u ovim predstavama zasniva se na pokušaju povezivanja postulata strukturalne lingvistike i igre/plesa. "Ako je igra jezik, na koji nacin možemo citati i razumeti igru?" pita se Dorner.
Jezik pokreta u predstavama, zasnovan na dekonstrukciji govornog jezika, izdvojen je i smešten u nove strukture, tvoreci podrucje u kojem "značenje" i "zvučanje" reči oponiraju jedno drugom. Tela koja igraju približavaju se ovim strukturama i ponovo se udaljavaju od njih. Na ovaj način osnovni smisao reči, odnosno pokreta negiraju jedno drugo, dok lingvistički ritam ostaje potpuno netaknut.
Konstrukcija novih struktura u jeziku pokreta upućuje na pitanje odnosa izmedju slobode i strukture.
Igra plesača postepeno se udaljava od početno jasno definisane strukture. Tako, u prvom delu, pitanje čitljivosti igre podstice na razmišljanje, dok se u drugom delu recepcija zasniva prevashodno na senzualnoj izražajnosti pokreta.
"Threeseconds" traga za individualnim jezikom pokreta i pokušava da ukaže na ono što ne može izreci jezikom (analogijom: onoga što se ne može videti u igri).
Kroz predstavu "not at all" Dorner ispituje fenomene "iskljucenosti", "apsurda" i "slucajnosti", primenjujuci sistem poretka i pravila kako bi se procistilo sve ono što je prethodno bilo heterogeno i nejasno definisano.
No, i pored spekulativnosti ove vrste, predstava obiluje humorom koji se, osim kroz pokrete igrača, ocituje i na video-ekranu, dodatno podcrtavajuci znacenja plesa na podijumu.

o autoru:
Koreografije V. Dornera spadaju medju najzapaženija ostvarenja na austrijskoj nezavisnoj plesnoj sceni. Dorner je studirao ples na Konzervatorijumu u Becu, a potom se usavršavao postavši instruktor/ucitelj "Aleksandar" tehnike. U svom radu pokušava da spoji moderni ples, kontaktnu impovizaciju i tehniku opuštanja.

www.cie.w.dorner.at

Projekat je pomogao Austrijski kulturni forum - Beograd/The programme has been supported by Austrian Cultural Forum - Belgrade.

Austrian Contemporary Theatre
Cie WILLI DORNER (Austria)
19,00 - threeseconds - "Raša Plaovic" Stage
20,00 - not at all - "V Floor" Stage
dance performance and video installation
dancers:Anna MacRae, Helga Gussner, Matthew Smith
choreography: Willi Dorner
production management, sound: Simon Kurmayr
light designer: Christian Piplits

about the performance:
Cie.Willi Dorner presents two thematically linked choreographies on one evening. In these performances the poetics of Dorner's choreography is based on an attempt to link the postulates of structural linguistics and dance. "If dance is a language, how are we able to read and understand dance?" Doner asks himself. Based on the deconstruction of spoken language, the language of movement is taken apart and placed into new structures, providing a space in which the meaning of a word is put up against the meaning of its sound utterance. The dancing bodies are moved up close to these structures and are again removed from them. In this way the central idea of the words and movements negate each other, whereas the linguistic rhythm still remains fully intact.
The construction of new structures in the language of movement makes reference to the question of the relationship between freedom and structure.
The dance performance increasingly moves away from a clearly definable structure in the course of the evening. If in the first part, the question of the readability of dance prompts reflection, the second part surprises with sensual moments of perception. "Three seconds" searches for the individual language of movement and seeks to point out to that which is "unutterable" in language (analogy: that which
is "non-visualized" in dance). Dorner's production "not at all" attempts an approach to the phenomenon of the excluded, the absurd and the coincidental. Systems of order and rules are employed in order to filter out anything that is heterogeneous and not clearly definable.
Besides being spectacular, this piece abounds in humor emerging
through every movement of the dancers as well as on a videoscreen which additionally underlines the meaning of their dance.

about the author:
Willi Dorner's choreographies are among the most recognizable on the Austrian independent dance scene. He studied dance at the Conservatory in Vienna. Afterwards he completed his training to become a teacher of Alexander technique. In his work he seeks to make connections between modern dance, contact improvisation and release technique.

www.cie.w.dorner.at