o projektu:
"Fotografija priprema onaj spasonosni pokret putem kojeg …čovek i okolni svet postaju jedan za drugog strani, otvarajuci slobodno polje gde svaka intimnost
ustupa mesto rasvetljavanju detalja" piąe Benjamin, a Virilio citira, podvlaci i nadovezuje se, primecujuci da je "to slobodno polje … najvece promociono polje
propagande, marketinga i tehnoloąkog sinkretizma na kojem se razvija najmanji otpor svedoka..."
"Rasvetljeni detalji" su, medjutim, ovde ponudjeni pre svega u svojoj estetskoj dimenziji boje. Bilbordi su svojevrsni "upad" crno-belog pejzaľa u realno gradsko okruľenje, referiąuci na "odustajanje od utilitarnosti", s obzirom da ne reklamiraju bilo ąta (cak ni sam festival ciji su deo, niti autora). Stoga na njima nema ni teksta, a akcenat je na samom procesu gledanja koji je uvek kontekstualizovan, u ovom slucaju - urbanim okruľenjem.

o autorki:
Mirjana Munišić (1967, Beograd) je magistrirala na slikarskom odseku Fakulteta likovnih umetnosti u Beogradu 1997.

Mirjana Munišić
LIT UP DETAILS
billboard project

the billboards of Europlakat:
1.Brankova Street, the entrance into Terazije Tunnel
2.Vojvoda Mišić Street,by Gazela Bridge
3. Kneza Miloša Street, in front of the Federal Police Department, on the path to Mostar junction
4. Svetogorska Street

about the project:
"Photography gets ready for that lifesaving move through which a man and a surrounding world alienate from each other and it opens a free field where every intimacy gives up its place to lighting up details ", claims Benjamin, and Virilio quotes, underlines and adds noticing that "that free field is the biggest promotion one of propaganda, marketing and technological syncretism where the slightest resistance of a witness develops…."

However, "Lit up details" are offered here, first of all, in their aesthetic dimension of colour. Billboards are a unique "intrusion" of a black-white landscape into a real urban environment referring to "the abandonment of utility" in a view of the fact they do not advertise whatever (neither the very Festival that they are part of nor their author). Therefore, there is no text on them and the emphasis is put on the very process of observing that is always contextualized, in this case, by an urban surrounding.

about the author:
Mirijana Munišić (1967, Belgrade) obtained MA degree at the Department of Painting of the Faculty of Fine Arts in Belgrade in 1997.